ESSAYS

“Out of Confinement: Creativity in Constraint”
Special issue of Women in French Studies (2024)
co-edited with Anne Brancky


“Homonym: Error.” In She Follows No Progression:
A Theresa Hak Kyung Cha Reader. Wendy’s Subway (2024)


“Six Hundred Twenty-Nine Thousand
Eight Hundred Ninety-Eight”
Los Angeles Review (2023)


“Many Times I Have Preferred to Walk the City
Without Leaving a Trace”
The Hopkins Review (2023)
*”Notable” mention in Best American Essays 2024


“‘Moi, je n’ai rien eu’: the disappearances of Inès Cagnati”
Women in French Studies (2023), 141-151.


“Death Inside Poetry: Introduction to Kim Hyesoon”
Poetry Foundation (2023)


“Three Hundred Days: A Story of Likeness”
The Spectacle Issue 11 (2022)


“Answering the Call: Beyond Resistance and Liberation”
Chicago Review: Contemporary Korean Poetry (Fall 2021), 100-13


“Memory’s Grammar, or the Silence of the Archives:
Hélène Cixous Goes to Osnabrück”
with Raphaël Sigal
L’esprit créateur 61:2: The Documentary Mode/
Rhétoriques du document (Summer 2021), 98-110


“Disclosure Narratives, or: What Can Disclosure Do?”
with Anne Brancky and Laura Hughes
Modern Language Studies Vol. 50 No. 1 (Summer 2020), 12-23


“How to Read Barthes: Autobiography’s Intimacy Effect”
French Forum Vol. 44 No. 3 (Winter 2019), 405-21


“Theresa Hak Kyung Cha, Myung Mi Kim et
Don Mee Choi : Trois poètes,” “Chang-rae Lee”
Po&sie 139-140 : Spécial Corée (2012), 272-92

 
“This Having Been Earthly Seems Lasting”
Harriet: The Poetry Foundation (2016)


“You”
The Offing, Los Angeles Review of Books (2015)


“Avert Your Eyes: Roland Barthes and the Ethics of Intimacy”
The Conversant: The Renaissance of Roland Barthes (2014)



Collaborations

“The Hauntologists: In Between Séances,” curated by Julia Morandeira and Yen Noh, 2021/2022 BAK Fellowship for Situated Practice (2022)

“Mother Tongues: Between Translation,” The Quick and the Dead:
Theresa Hak Kyung Cha Seminar, Wendy’s Subway (2022)

“The Afterlife, Part 4,” curated by Brandon Shimoda, futurefeed (2020)

“What is Left,” curated by Le Gauche, Hors piste 4, Centre Pompidou (2014)

“Water,” with Holly Corfield Carr, Likestarlings (2014)

“Orison for the Forest,” curated by Violet Poe Projects, Kendra Paitz Gallery (2012)

“Etienne D'Anget,” commissioned by The Beta Movement (2011)