For This and Other Cruelties
Release date: September 22, 2025
Kuhl House Poets
University of Iowa Press
sur vie
Fathom Books (2020)
POEMS
“Five Poems”
Action, Spectacle (2024)
“Champ commun”
La Traductière: Poésie contemporaine
et autres sensations forts 40 (2023)
“Common Form”
Provincetown Arts Issue 37 (2022)
“Autobiography”
Oversound Issue 7 (2022)
“Tall
Grasses”
“Meanwhile in the Bountiful Next Door”
OmniVerse (2019)
“Softness”
Volta Issue 48 (2019)
“Home”
jubilat Number 34 (2019)
“Second Life”
Volta Issue 47 (2019)
“Fever”
Ghost Town Issue 9 (2016)
“Argument Diary”
Talking River Issue 38 (2015)
“Before the Avant-Garde”
American
Poets Magazine (2014)
“Means of Entering the Swarm”
and four other poems
West Branch Wired (Winter 2014)
“Dolor Diary”
Cerise Press (2012)
“Improbable Ease in the Interior of
Things”
“You Say the World Disappoints Me”
“Little Harm”
Fishouse (2012)
“Two poems”
Anthony
Hecht Poetry Prize (2011)
“Last Sunday I Walked Deep into the Forest”
“When We Were Leaky”
Muthafucka 2 (Summer 2010)
“Poet’s Sampler”
The Boston Review (2008)
“Petal”
The Best of the Net Anthology (2008)
Left-Facing
Bird (2008)
TRANSLATIONS
Daewoo: a novel
Diágolos Press
(2020)
¨
Gardeners
Diágolos Press
(2017)
Poems
:Marc Alyn
Linda
Maria Baros
Michel Butor
François Cheng
Franck André Jamme
Luis Mizon
Nohad Salameh
Franck Venaille
Texts
:Michel Auder
Laurent Binet
Lucile Bordes
Nicole Brenez
Beeler Gallery, Columbus College of Art & Design
The Brooklyn Rail
CCA Wattis Institute for Contemporary Arts
Fiction France
Horizon Review
The Israel Museum, Jerusalem
Ben Lignel
Marrakech Biennale
Lê Quan Ninh
Pleiades: Literature in Context
Jo-ey Tang
La Traductière
Warren Wilson College
Mary Weatherford
etc.
ESSAYS
“Out of Confinement: Creativity in Constraint”
Special issue of Women in French Studies (2024)
co-edited with Anne Brancky
“Homonym: Error.” In She Follows No Progression:
A Theresa Hak Kyung Cha Reader. Wendy’s Subway (2024)
“Six Hundred Twenty-Nine Thousand
Eight Hundred Ninety-Eight”
Los Angeles Review (2023)
“Many Times I Have Preferred to Walk the City
Without Leaving a Trace”
The Hopkins Review (2023)
*”Notable” mention in Best American Essays 2024
“‘Moi, je n’ai rien eu’: the disappearances of Inès Cagnati”
Women in French Studies (2023), 141-151.
“Death Inside Poetry: Introduction to Kim Hyesoon”
Poetry Foundation (2023)
“Three Hundred Days: A Story of Likeness”
The Spectacle Issue 11 (2022)
“Answering the Call: Beyond Resistance and Liberation”
Chicago Review: Contemporary Korean Poetry (Fall 2021), 100-13
“Memory’s Grammar, or the Silence of the Archives:
Hélène Cixous Goes to Osnabrück”
with Raphaël Sigal
L’esprit créateur 61:2: The Documentary Mode/
Rhétoriques du document (Summer 2021), 98-110
“Disclosure Narratives, or: What Can
Disclosure Do?”
with Anne Brancky and Laura Hughes
Modern Language Studies Vol. 50 No. 1 (Summer 2020), 12-23
“How
to Read Barthes: Autobiography’s Intimacy Effect”
French Forum Vol. 44 No. 3
(Winter 2019), 405-21
“Theresa Hak Kyung Cha, Myung Mi Kim et
Don
Mee Choi : Trois poètes,” “Chang-rae Lee”
Po&sie 139-140 : Spécial Corée (2012), 272-92
“This Having Been Earthly Seems Lasting”
Harriet: The Poetry Foundation (2016)
“You”
The Offing, Los Angeles Review of Books (2015)
“Avert
Your Eyes: Roland Barthes and the Ethics of Intimacy”
The Conversant: The
Renaissance of Roland Barthes (2014)
Collaborations
: