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	<title>Kwak Youna</title>
	<link>https://kwakyouna.com</link>
	<description>Kwak Youna</description>
	<pubDate>Thu, 19 May 2022 01:34:56 +0000</pubDate>
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		<title>Home</title>
				
		<link>https://kwakyouna.com/Home</link>

		<pubDate>Thu, 19 May 2022 01:30:10 +0000</pubDate>

		<dc:creator>Kwak Youna</dc:creator>

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		<description>
	Youna Kwak • 곽 유나
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		<title>News</title>
				
		<link>https://kwakyouna.com/News</link>

		<pubDate>Thu, 19 May 2022 01:34:56 +0000</pubDate>

		<dc:creator>Kwak Youna</dc:creator>

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		<description>NEWS
Recent Events

For this and Other CrueltiesPub. date Sept 22, 2025

Winner of CALIBA (California Bookseller’s Alliance)
2025 Golden Poppy Award
&#60;img width="1800" height="2700" width_o="1800" height_o="2700" data-src="https://freight.cargo.site/t/original/i/c580bf7437597c6ced31fee3e2ea2bb94c35f8fdcde359bc832a173fe3b9d39b/Final_For-This-and-Other.jpg" data-mid="238090068" border="0" data-scale="42" src="https://freight.cargo.site/w/1000/i/c580bf7437597c6ced31fee3e2ea2bb94c35f8fdcde359bc832a173fe3b9d39b/Final_For-This-and-Other.jpg" /&#62;Kuhl House Poets
University of Iowa Press
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Thursday, Sept 25, 6-7pm&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Village Well&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 9900 Culver Blvd&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Los Angeles CA&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; with Prageeta Sharma

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Wednesday, October 1, 6:30pm&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; First Light Books&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 43rd &#38;amp; Speedway, Hyde Park&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Austin TX
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; with Tawanda Mulalu
&#38;nbsp; &#38;nbsp; Thursday, October 2, 7-9pm
&#38;nbsp; &#38;nbsp; Basket Books and Art&#38;nbsp; &#38;nbsp; 115 Hyde Park Blvd&#38;nbsp; &#38;nbsp; 
Houston TX
&#38;nbsp; &#38;nbsp; with Julia&#38;nbsp;Guez and Roberto Tejada

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Monday, October 6, 7pm&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Unnameable Books&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
615 Vanderbilt&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Brooklyn NY
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; with Kira Josefsson and Caitie Moore
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Saturday, November 22, 4pm
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Wavemachine
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; San Francisco CA &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; with Sid Ghosh, Kim Shuck, and Rob Schlegel&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Saturday, January 10, 12pm &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; Elizabeth Leach Gallery&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Portland, OR&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;with Lisa Wells
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;

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	<item>
		<title>Poetry</title>
				
		<link>https://kwakyouna.com/Poetry</link>

		<pubDate>Thu, 19 May 2022 01:33:31 +0000</pubDate>

		<dc:creator>Kwak Youna</dc:creator>

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		<description>POETRY



&#60;img width="1800" height="2700" width_o="1800" height_o="2700" data-src="https://freight.cargo.site/t/original/i/fadf02a052b3a361ed1d2ff441ac0229dfd1e7c94d14d053bf3df9af443b58dd/Kwak_HRCvr.jpg" data-mid="237995836" border="0" data-scale="50" src="https://freight.cargo.site/w/1000/i/fadf02a052b3a361ed1d2ff441ac0229dfd1e7c94d14d053bf3df9af443b58dd/Kwak_HRCvr.jpg" /&#62;Kuhl House PoetsUniversity of Iowa Press (2025)

2025 CALIBA (California Booksellers Alliance)
Golden Poppy Award Winner&#38;nbsp; 
¨
&#60;img width="1152" height="1152" width_o="1152" height_o="1152" data-src="https://freight.cargo.site/t/original/i/83f6879dd971877e2a52595dd9a372c9901eecb83c7f0ce3357aa75998bc92ee/survie-front.jpg" data-mid="237995811" border="0" data-scale="42" data-icon-mode src="https://freight.cargo.site/w/1000/i/83f6879dd971877e2a52595dd9a372c9901eecb83c7f0ce3357aa75998bc92ee/survie-front.jpg" /&#62;
Fathom Books (2020)

Poems:
“After”Poem-a-Day&#38;nbsp;(2025)


“[After]”Cholla Needles Issue 103&#38;nbsp;(2025)
“Five Poems”Action, Spectacle&#38;nbsp;(2024)

“Champ commun”
La Traductière: Poésie contemporaineet autres sensations forts 40 (2023)

“Common Form”
Provincetown Arts Issue 37 (2022)
“Autobiography” 
Oversound Issue 7 (2022)



“Tall
Grasses”
“Meanwhile in the Bountiful Next Door”
OmniVerse (2019)




“Softness”
Volta Issue 48 (2019)

“Home”
jubilat Number 34 (2019)



“Second Life”
Volta Issue 47 (2019)
“Fever”
Ghost Town Issue 9 (2016)



“Argument Diary”
Talking River Issue 38&#38;nbsp;(2015)




“Before the Avant-Garde”
American
Poets Magazine (2014)

“Means of Entering the Swarm”and four other poems
West Branch Wired (Winter 2014)




“Dolor Diary”
Cerise Press (2012)



“Improbable Ease in the Interior of
Things”
“You Say the World Disappoints Me”
“Little Harm”
Fishouse&#38;nbsp;(2012)



“Two poems”
Anthony
Hecht Poetry Prize (2011)




“Last Sunday I Walked Deep into the Forest”
“When We Were Leaky”
Muthafucka 2&#38;nbsp;(Summer 2010)




“Poet’s Sampler”
The Boston Review (2008)




“Petal”
The Best of the Net Anthology&#38;nbsp;(2008)



Left-Facing
Bird (2008)



 </description>
		
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	<item>
		<title>Translations</title>
				
		<link>https://kwakyouna.com/Translations</link>

		<pubDate>Thu, 19 May 2022 01:34:08 +0000</pubDate>

		<dc:creator>Kwak Youna</dc:creator>

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		<description>TRANSLATIONS
&#38;nbsp; &#38;nbsp;&#60;img width="329" height="499" width_o="329" height_o="499" data-src="https://freight.cargo.site/t/original/i/c6560ce764dff21e94d92ea60f0c7457b16637552dea98edaa4ba4829a3236e9/daewoo-cover.jpg" data-mid="225467537" border="0"  src="https://freight.cargo.site/w/329/i/c6560ce764dff21e94d92ea60f0c7457b16637552dea98edaa4ba4829a3236e9/daewoo-cover.jpg" /&#62;
Diágolos Press
(2020)

¨

&#60;img width="500" height="800" width_o="500" height_o="800" data-src="https://freight.cargo.site/t/original/i/94c217de26bc52c4ed9f88d34eca3a4f8d4532b145464de1a54d0e9168b27e4a/gardeners-cover.jpg" data-mid="225467565" border="0" data-scale="50" src="https://freight.cargo.site/w/500/i/94c217de26bc52c4ed9f88d34eca3a4f8d4532b145464de1a54d0e9168b27e4a/gardeners-cover.jpg" /&#62;Diágolos Press
(2017)
Poems:






Marc AlynLinda
Maria Baros

Michel Butor
François ChengFranck André Jamme

Luis MizonNohad Salameh

Franck Venaille




















Texts:Michel AuderLaurent BinetLucile BordesNicole BrenezBeeler Gallery, Columbus College of Art &#38;amp; DesignThe Brooklyn RailCCA Wattis Institute for Contemporary ArtsFiction FranceHorizon ReviewThe Israel Museum, JerusalemBen LignelMarrakech BiennaleLê Quan NinhPleiades: Literature in ContextJo-ey TangLa TraductièreWarren Wilson CollegeMary Weatherford


etc.







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	</item>
		
		
	<item>
		<title>Essays</title>
				
		<link>https://kwakyouna.com/Essays</link>

		<pubDate>Thu, 19 May 2022 01:33:02 +0000</pubDate>

		<dc:creator>Kwak Youna</dc:creator>

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		<description>ESSAYS
“Out of Confinement: Creativity in Constraint”Special issue of Women in French Studies (2024)co-edited with Anne Brancky

“Homonym: Error.” In&#38;nbsp;She Follows No Progression:
A Theresa Hak Kyung Cha Reader. Wendy’s Subway (2024)

“Six Hundred Twenty-Nine Thousand
Eight Hundred Ninety-Eight”
Los Angeles Review (2023)

“Many Times I Have Preferred to Walk the City
Without Leaving a Trace”

The Hopkins Review (2023)*”Notable” mention in Best American Essays 2024

“‘Moi, je n’ai rien eu’: the disappearances of Inès Cagnati”
Women in French Studies (2023), 141-151.
“Death Inside Poetry: Introduction to Kim Hyesoon”
Poetry Foundation (2023)

“Three Hundred Days: A Story of Likeness”
The Spectacle Issue 11 (2022)
“Answering the Call: Beyond Resistance and Liberation”
Chicago Review: Contemporary Korean Poetry (Fall 2021), 100-13
“Memory’s Grammar, or the Silence of the Archives:
Hélène Cixous Goes to Osnabrück”
with Raphaël Sigal
L’esprit créateur 61:2: The Documentary Mode/
Rhétoriques du document (Summer 2021), 98-110


“Disclosure Narratives, or: What Can
Disclosure Do?”
with Anne Brancky and Laura Hughes
Modern Language Studies Vol. 50 No. 1 (Summer 2020), 12-23




“How
to Read Barthes: Autobiography’s Intimacy Effect”
French Forum Vol. 44 No. 3
(Winter 2019), 405-21


“Theresa Hak Kyung Cha, Myung Mi Kim et
Don
Mee Choi : Trois poètes,”&#38;nbsp;“Chang-rae Lee”
Po&#38;amp;sie 139-140 : Spécial Corée  (2012), 272-92

&#38;nbsp;
“This Having Been Earthly Seems Lasting”
Harriet: The Poetry Foundation (2016)




“You”
The Offing, Los Angeles Review of Books (2015)




“Avert
Your Eyes: Roland Barthes and the Ethics of Intimacy”
The Conversant: The
Renaissance of Roland Barthes (2014)









Collaborations:



“The Hauntologists: In Between Séances,” curated by&#38;nbsp;Julia Morandeira and Yen Noh, 2021/2022 BAK Fellowship for Situated Practice (2022)“Mother Tongues: Between Translation,” The Quick and the Dead:Theresa Hak Kyung Cha Seminar, Wendy’s Subway (2022)

“The Afterlife, Part 4,” curated by Brandon Shimoda, futurefeed&#38;nbsp;(2020)



“What
is Left,” curated by Le Gauche, Hors piste 4, Centre Pompidou (2014)



“Water,” with Holly Corfield Carr, Likestarlings (2014)



“Orison for the Forest,” curated by Violet Poe Projects,&#38;nbsp;Kendra Paitz Gallery (2012)



“Etienne D'Anget,” commissioned by The Beta
Movement (2011)
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